Theatricalization of the context of cultural product consumption experience
Abstract
Production experience marketing is more focused on the context in which it occurs, namely, on various tools that can be used in practices to create variations of experience content.
Research based on an experiential approach to consumption context often uses a theatrical metaphor to demonstrate the theoretical and managerial potential of theatricalization of consumer experience content. The work [5] attempts to describe more clearly the possible actions of companies to create an experience context, combining them into three groups:
Creating "decoration." This set of actions involves controlling the staging of the experience. The "stage" design mainly focuses on the place of product sales. "Re-enchantment" within the experience should reflect the company's positioning and be profitable. Evaluating the conversion rate from visits to actual sales can indirectly control the effectiveness of this set of actions.
Formation of "intrigue." The goal is to create a story around the product. Companies try to inform the consumer about the origin, life, and prospects of product (brand) development, for example, by linking it to events that encourage the buyer's hedonism and demonstrate the product (brand) in a certain context.
Actions aimed at promoting subject-product (subject-brand) relationships, i.e., consumer experience will be satisfied if the consumer feels a connection with the "decorations" and the offered product.
Downloads
References
Павлов Р.А., Павлова Т.С. Образ постмодерністського споживача продуктів культури. Підприємництво: сучасні виклики, тренди та трансформації: монографія / за заг. ред. д-ра екон. наук, проф. Т. Гринько. Дніпро: Видавець Біла К.О., 2023. С. 310–333.
Павлова Т.С., Павлов Р.А., Левкович О.В. Моделі споживання коміксів як варіант постмодерністської соціально-економічної комунікації. Управління розвитком суб'єктів підприємництва в умовах викликів ХХІ століття: колект. моногр. / за заг. ред. Т.В. Гринько. – Дніпро: Біла К.О., 2019. С. 313-324.
Гудошник О.В. Крупський, О.П. Медійні можливості комік-сів: сучасні інструменти формування та представлення організаційної культури. European Journal of Management Issues. 2023. № 31(1). С. 40–49. https://doi.org/10.15421/192304
Arnould E.J., Price L., Zinkhan G.M. Consumers (2nd ed.). New York: McGraw-Hill, 2004. 896 p.
Filser M. Le marketing de la production d'expérience: Statut théorique et implications managériales. Décisions Marketing. 2002. № 18. P. 13–22. URL: http://www.jstor.org/stable/40592824.
Filser M., Roederer C. L'expérience: objet académique et réali-tés managériales. Caen: EMS Editions, 2021. 334 p.
Fuschillo G., Cayla J., Cova, B. Brand magnification: when brands help people reconstruct their lives. 2022. European Journal of Marketing, № 56(3). P. 768–798. https://doi.org/10.1108/ejm-09-2020-0722
Hudoshnyk, O.V., Krupskyi O.P. Science and comics: from popularization to the discipline of Comics Studies. History of Science and Technology. 2022. № 12(2). P. 210–230. https://doi.org/10.32703/2415-7422-2022-12-2-210-230
Mencarelli R., Chaney D., Pulh M. Consumers’ brand heritage experience: between acceptance and resistance. Journal of Market-ing Management. 2019. № 36(1–2). P. 30–50.
Downloads
Published
Issue
Section
License
Copyright (c) 2024 Challenges and Issues of Modern Science
This work is licensed under a Creative Commons Attribution 4.0 International License.
All articles published in the journal Challenges and Issues of Modern Science are licensed under the Creative Commons Attribution 4.0 International (CC BY) license. This means that you are free to:
- Share, copy, and redistribute the article in any medium or format
- Adapt, remix, transform, and build upon the article
as long as you provide appropriate credit to the original work, include the authors' names, article title, journal name, and indicate that the work is licensed under CC BY. Any use of the material should not imply endorsement by the authors or the journal.